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- MLA
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Diamond, Beverley. "Elaine Barkin and Lydia Hamessley, eds. 1999. Audible Traces: Gender, Identity, and Music. Zurich: Carciofoli Verlagshaus. Verbal score, index, CD, 292 pp. ISBN 3-905323-00-1 (hardcover) / Tullia Magrini, ed. 2003. Music and Gender: Perspectives from the Mediterranean. Chicago: University of Chicago Press, 371 pp. ISBN 0226501655 (hardcover)." Canadian University Music Review / Revue de musique des universités canadiennes, volume 24, number 1, 2003, p. 118–125. https://doi.org/10.7202/1014676ar
- APA
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Diamond, B. (2003). Review of [Elaine Barkin and Lydia Hamessley, eds. 1999. Audible Traces: Gender, Identity, and Music. Zurich: Carciofoli Verlagshaus. Verbal score, index, CD, 292 pp. ISBN 3-905323-00-1 (hardcover) / Tullia Magrini, ed. 2003. Music and Gender: Perspectives from the Mediterranean. Chicago: University of Chicago Press, 371 pp. ISBN 0226501655 (hardcover)]. Canadian University Music Review / Revue de musique des universités canadiennes, 24(1), 118–125. https://doi.org/10.7202/1014676ar
- Chicago
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Diamond, Beverley "Elaine Barkin and Lydia Hamessley, eds. 1999. Audible Traces: Gender, Identity, and Music. Zurich: Carciofoli Verlagshaus. Verbal score, index, CD, 292 pp. ISBN 3-905323-00-1 (hardcover) / Tullia Magrini, ed. 2003. Music and Gender: Perspectives from the Mediterranean. Chicago: University of Chicago Press, 371 pp. ISBN 0226501655 (hardcover)". Canadian University Music Review / Revue de musique des universités canadiennes 24, no. 1 (2003) : 118–125. https://doi.org/10.7202/1014676ar
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