Download the article in PDF to read it.
Download
Appendices
Bibliographie
- Aho, William R., Steel Band Music in Trinidad and Tobago: The Creation of a People’s Music, Latin American Music Review / Revista de Música Latinoamericana, Vol. 8, No. 1(Spring – Summer, 1987), pp. 26-58.
- Borde, Percival, The Sounds of Trinidad; The Development of the Steel-Drum Bands The Black Perspective in Music, Vol. 1, No. 1 (Spring, 1973), pp. 45-49.
- Brown, Ernest D., Carnival, Calypso, and Steelband in Trinidad, The Black Perspective in Music, Vol. 18, No. 1/2 (1990), pp. 81-100.
- Campbell, Susan, Carnival, Calypso, and Class Struggle in Nineteenth Century Trinidad, History Workshop, No. 26 (Winter, 1988), pp. 1-27.
- Riggio, Milla C., Introduction: Resistance and Identity: Carnival in Trinidad and Tobago, Vol. 42, No. 3, Trinidad and Tobago Carnival (Autumn, 1998), pp. 6-23.
- Rocchi Jean-Paul, « En exorde : The Other Bites the Dust: La mort de l’Autre : vers une épistémologie de l’identité », in Jean-Paul Rocchi (dir.), L’objet identité : épistémologie et transversalité. Les Cahiers Charles V, n° 40, juin 2006, 1-28.
- Seeger, Peter, The Steel Drum: A New Folk Instrument, The Journal of American Folklore, Vol. 71, No. 279 (Jan. – Mar., 1958), pp. 52-57.
- Thomas, Jeffrey, The changing role of the steel band in Trinidad and Tobago: Panorama and the carnival tradition, Studies in Popular Culture, Vol. 9, No. 2 (1986), pp. 96-108.